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Anne Frank [1941]

Six million Jews died in the Holocaust. For many throughout the world, one teenage girl gave them a story and a face. She was Anne Frank, the adolescent who, according to her diary, retained her hope and humanity as she hid with her family in an Amsterdam attic. In 1944 the Nazis, acting on a tip, arrested the Franks; Anne and her sister died of typhus at Bergen-Belsen only a month before the camp was liberated. The world came to know her through her words and through this ordinary portrait of a girl of 14. She stares with big eyes, wearing an enigmatic expression, gazing at a future that the viewer knows will never come.

V-J Day, Times Square, [1945]

By Alfred Eisenstaedt

Or “The Kiss”, at the end of World War II, in US cities everybody went to the streets to salute the end of combat. Friendship and unity were everywhere. This picture shows a sailor kissing a young nurse in Times Square. The fact is he was kissing every girl he encountered and for that kiss, this particular nurse slapped him.

Casualties of war [1991]

By David Turnley

Image of a young US sergeant at the moment he learns that the body bag next to him contains the body of his friend, killed by “friendly fire”.

The widely published photo became an iconic image of the 1991 Gulf war - a war in which media access was limited by Pentagon restrictions.

The Falling Man [2001]

By Richard Drew

The powerful and controversial photograph provoked feelings of anger, particularly in the United States, in the immediate aftermath of the September 11 attacks. The photo ran only once in many American newspapers because they received critical and angry letters from readers who felt the photo was exploitative, voyeuristic, and disrespectful of the dead. This led to the media’s self-censorship of the photograph, preferring instead to print photos of acts of heroism and sacrifice.

Drew commented about the varying reactions, saying, “This is how it affected people’s lives at that time, and I think that is why it’s an important picture. I didn’t capture this person’s death. I captured part of his life. This is what he decided to do, and I think I preserved that.”9/11: The Falling Man ends suggesting that this picture was not a matter of the identity behind the man, but how he symbolized the events of 9/11.

U.S. Marines raising the flag on Iwo Jima [1945]

By Joe Rosenthal

Raising the Flag on Iwo Jima is a historic photograph taken on February 23, 1945, by Joe Rosenthal. It depicts five United States Marines and a U.S. Navy corpsman raising the flag of the United States atop Mount Suribachi during the Battle of Iwo Jima in World War II.

The photograph was extremely popular, being reprinted in thousands of publications. Later, it became the only photograph to win the Pulitzer Prize for Photography in the same year as its publication, and ultimately came to be regarded as one of the most significant and recognizable images of the war, and possibly the most reproduced photograph of all times.

Lunch atop a Skyscraper [1932]

By Charles C. Ebbets

Lunch atop a Skyscraper (New York Construction Workers Lunching on a Crossbeam) is a famous photograph taken by Charles C. Ebbets during construction of the GE Building at Rockefeller Center in 1932.

The photograph depicts 11 men eating lunch, seated on a girder with their feet dangling hundreds of feet above the New York City streets. Ebbets took the photo on September 29, 1932, and it appeared in the New York Herald Tribune in its Sunday photo supplement on October 2. Taken on the 69th floor of the GE Building during the last several months of construction, the photo Resting on a Girder shows the same workers napping on the beam.

By Charles C. Ebbets

Here’s a rare image by the same photographer showing the workers sleeping on the crossbeam.

Migrant Mother [1936]

By Dorothea Lange

For many, this picture of Florence Owens Thompson (age 32) represents the Great Depression. She was the mother of 7 and she struggled to survive with her kids catching birds and picking fruits. Dorothea Lange took the picture after Florence sold her tent to buy food for her children. She made the first page of major newspapers all over the country and changed people’s conception about migrants.

Omayra Sánchez [1985]

By Frank Fournier

Omayra Sánchez was a 13-year old victim of the Nevado del Ruiz volcano which erupted on November 13, 1985 in Armero, Colombia, causing massive lahars which killed nearly 25,000. She was trapped for 3 days in water, concrete, and other debris before she died.

Omayra was trapped up to her neck in water, concrete, and other debris for three days before she succumbed to gangrene and hypothermia. During three nights of agony, Omayra seemed strong but was suffering. According to Cristina Echandia, a journalist who kept records of the events, Omayra sang and had normal conversations with the people who were trying to help her. The little girl was thirsty and scared. On the third night, Omayra began hallucinating, saying that she did not want to be late for school. At some point she asked the people to leave her so they could rest.

Television coverage of the disaster introduced her to the world when she was still alive. The photo shown here was taken by photojournalist, Frank Fournier, shortly before she died. The image caused controversy due to the photographer’s work and the Colombian government’s inaction in working to prevent the Armero tragedy despite the forewarning that had been available, when it was published worldwide after the young girl’s death.

A vulture watches a starving child [1993]

By Kevin Carter

The prize-winning image: A vulture watches a starving child in southern Sudan, March 1, 1993.
Carter’s winning photo shows a heart-breaking scene of a starving child collapsed on the ground, struggling to get to a food center during a famine in the Sudan in 1993. In the background, a vulture stalks the emaciated child.

Carter was part of a group of four fearless photojournalists known as the “Bang Bang Club” who traveled throughout South Africa capturing the atrocities committed during apartheid.

Haunted by the horrific images from Sudan, Carter committed suicide in 1994 soon after receiving the award.

Biafra [1969]

By Don McCullin

When the Igbos of eastern Nigeria declared themselves independent in 1967, Nigeria blockaded their fledgling country-Biafra. In three years of war, more than one million people died, mainly of hunger. In famine, children who lack protein often get the disease kwashiorkor, which causes their muscles to waste away and their bellies to protrude. War photographer Don McCullin drew attention to the tragedy. “I was devastated by the sight of 900 children living in one camp in utter squalor at the point of death,” he said. “I lost all interest in photographing soldiers in action.” The world community intervened to help Biafra, and learned key lessons about dealing with massive hunger exacerbated by war-a problem that still defies simple solutions.

Misery in Darfur [2004]

By Marcus Bleasdale

It’s an image which depicts a depressed, shoulders-down figure of a child in a cluster of what remains of her family.

The very weather-beaten arm of her mother goes over her left shoulder and there are the very small weather-beaten hands of the child, who is about five or six, clinging on to this one piece of security that she has, which is the weather-beaten hand of her mother.

The mother is not in the image, she’s in the background. But then slightly further in the background you see the other hands of her brothers and sisters as they wait in this village.

Tragedy in Oklahoma [1995]

By Chris Porter

The fireman has taken the time to remove his gloves before receiving this infant from the policeman.

Anyone who knows anything about firefighters know that their gloves are very rough and abrasive and to remove these is like saying I want to make sure that I am as gentle and as compassionate as I can be with this infant that I don’t know is dead or alive.

The fireman is just cradling this infant with the utmost compassion and caring.

He is looking down at her with this longing, almost to say with his eyes: “It’s going to be OK, if there’s anything I can do I want to try to help you.”

He doesn’t know that she has already passed away.

How Life Begins [1965]

By Lennart Nilsson

In 1957 he began taking pictures with an endoscope, an instrument that can see inside a body cavity, but when Lennart Nilsson presented the rewards of his work to LIFE’s editors several years later, they demanded that witnesses confirm that they were seeing what they thought they were seeing. Finally convinced, they published a cover story in 1965 that went on for 16 pages, and it created a sensation. Then, and over the intervening years, Nilsson’s painstakingly made pictures informed how humanity feels about . . . well, humanity. They also were appropriated for purposes that Nilsson never intended. Nearly as soon as the 1965 portfolio appeared in LIFE, images from it were enlarged by right-to-life activists and pasted to placards.

First Flight [1903]

By John T. Daniels

December 17, 1903 was the day humanity spread its wings and rose above the ground - for 12 seconds at first and by the end of the day for almost a minute - but it was a major breakthrough. Orville and Wilbur Wright, two bicycle mechanics from Ohio, are the pioneers of aviations, and although this first flight occurred so late in history, the ulterior development was exponential.

Earthrise [1968]

By William Anders

The late adventure photographer Galen Rowell called it “the most influential environmental photograph ever taken.” Captured on Christmas Eve, 1968, near the end of one of the most tumultuous years the U.S. had ever known, the Earthrise photograph inspired contemplation of our fragile existence and our place in the cosmos. For years, Frank Borman and Bill Anders of the Apollo 8 mission each thought that he was the one who took the picture. An investigation of two rolls of film seemed to prove Borman had taken an earlier, black-and-white frame, and the iconic color photograph, which later graced a U.S. postage stamp and several book covers, was by Anders.